King & Country NA019: French Corporal Crouching
NA019 brings a bareheaded corporal low over his weapon, with the discarded headgear visible on the base. The scene is more individual than a standard firing pose and rewards a view from slightly above.
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NA019 brings a bareheaded corporal low over his weapon, with the discarded headgear visible on the base. The scene is more individual than a standard firing pose and rewards a view from slightly above.
NA015 lowers the weapon toward the space in front of him. The long bayonet and step forward make him a natural bridge between French figures marching into position and those already firing.
NA014 is a French grenadier on the move, carrying his long weapon upright against the shoulder. The red plume, dark coat and white equipment create a strong vertical shape that suits a marching column.
With his weapon on the shoulder and one foot advancing, NA032 represents the movement between the famous moments. He is an effective reminder that an infantryman’s campaign involved far more marching than firing.
NA031 moves the early 71st group forward. The long stride and diagonal weapon give him a sense of purpose that is absent from the more formal ready and firing poses.
NA012 combines a defensive kneeling stance with the catalog’s wounded subject. The lowered body and raised weapon make the scene readable without needing a stretcher, medic or a large group around him.
The uncovered head is the first clue to NA011. It brings an individual face into the early 71st group, while the musket held diagonally keeps the figure connected to the soldiers still preparing for action.
NA007 leans into a close fight with the musket held across his body. The bent posture and forward gaze give the sergeant a different job from a neatly aligned firing figure: he is reacting to an immediate threat.
NA006 waits on one knee with the musket held upright. It is a quiet pose that creates a pause between the early 71st figures already firing, loading or preparing to meet an attack.
NA004 takes the same firing task as a standing infantryman and lowers it almost to the height of the neighboring figures’ belts. The result gives an infantry display a front edge and a clear direction of attention.