FW005 depicts a saluting officer on a dark horse. The original description identifies him as a major of the 13th Bavarian Rifles—a useful reminder that a mounted figure is not automatically a cavalry trooper.
The open coat is the first thing that catches the eye on FW004. Its red lining frames a substantial, moustached figure with a cane: a portrait of Paul von Hindenburg that invites a closer look at how military reputations were carried into politics.
FW002 is deliberately less theatrical than the Kaiser it accompanies. Gloved hands gathered in front, a slim silhouette and a sheathed sword make this a waiting staff officer rather than another anonymous rifleman.
Wilhelm II enters the FW range in immaculate uniform, with a spiked helmet, decorations and a walking stick. FW001 makes a useful starting point for a display about the people who commanded armies—and the distance between their public image and the war their soldiers experienced.
The kepi, white moustache and red breeches identify Joffre’s portrait. Conflicting 1914 and 1918 retailer labels make the date worth checking before choosing a display.
A folded map and sleeve chevrons make SOL045 a study of early military aviation. Reconnaissance reports mattered before fighter combat became its defining image.
Explore King & Country DD379 Vive la Victoire!, its historical setting, distinctive details and place in the D-Day collection.
Explore King & Country AL108 Trooper Mounting Up with Brown Horse, its historical setting, distinctive details and place in the Australian Light Horse collection.
Explore King & Country AL107 Officer Turning in the Saddle, its historical setting, distinctive details and place in the Australian Light Horse collection.
Explore King & Country AL106 Trooper Mounting Up with Black Horse, its historical setting, distinctive details and place in the Australian Light Horse collection.
