FW173 depicts a nursing sister in grey and white with a short red cape. She stands holding a small white vessel, without a patient or hospital furniture. The uniform is the central identifying feature and provides a striking contrast to the khaki and field-grey figures around her in the FW range.
A short British soldier escorts a taller German prisoner in FW168. The Briton has a bandaged arm, while the captive’s open coat and subdued posture contrast with his escort’s determined stance. The difference in height is intentional and supplies the meaning behind the title.
A Scottish soldier embraces his sweetheart in FW073. His khaki uniform, pack and slung rifle announce his departure, while her patterned skirt and civilian blouse make the contrast immediate. The two figures form one close farewell scene rather than a military action group.
FW046 depicts a British infantryman carrying a wounded soldier across his shoulders while retaining his rifle. Both wear khaki and steel helmets. The carrier bends into the weight, with the casualty’s limbs and equipment hanging around him. Despite occasional muddled catalog labels, this is a rescue pair, not a flagbearer.
AK085 depicts a captured British Daimler Dingo with a German driver, large identification crosses and an air-recognition flag over the rear engine cover. The set includes a separate MG34, an important distinction from examples offered as the vehicle alone.
The bonnet shape and open driving position of AK077 look different from the German trucks around it, and that difference is the point. King & Country depicts a captured British Morris CS8 15 cwt truck with a German driver.
A bright lion-bearing shield and a pale horse make William Marshal an immediate focal point. Del Prado’s mounted portrait adds a named medieval statesman and knight to a section otherwise rich in anonymous warriors.
The curved bow and lightly equipped standing pose give this Del Prado archer a distinctive outline. His Crécy label provides a familiar entry point into the Hundred Years’ War without requiring a large medieval battle scene.
Bicorne, decorated dark coat and pale breeches make Del Prado’s Nelson a compact command portrait. The standing admiral brings the war at sea into a collection whose other figures are often grouped by land campaign.
Scarlet tunic, bearskin and bright white straps make this Coldstream sergeant a traditional toy-soldier subject. The 1914 label belongs to the period, while the sculpt itself shows full dress rather than trench clothing.
